But I don’t give up until it turns out the way I want. Of course, for some photos it only takes me one attempt and I like the first shot, for others it takes more attempts. I have to admit, it takes me a long time to even take a simple shot of a landscape or portrait because I want it to be good, to be exactly how I depicted the idea in my mind. The most important thing I do before taking a photo is look at the composition, location and light. My process for each photo is very simple. THE CHARACTERS - I really like to capture the emotions of Sam’s face and also the emotions of the other characters.Ĭan you talk us through the process of composing and capturing that perfect shot? Do you have any top tips you’d like to share? THE MOUNTAINS - Ever since I was little, I loved mountains and in DEATH STRANDING DIRECTOR’S CUT, there are so many of them, each one unique and beautiful in its own way. Even in parts of the game that are darker, I also liked to photograph it as they represented what certain characters have been through. It looks very simple but in the simplicity there are some truly breathtaking passages that I love to photograph. THE WORLD - The first thing that attracted me to DEATH STRANDING was the world. What was it about DEATH STRANDING DIRECTOR’S CUT that appealed to you as a virtual photographer? I really love DEATH STRANDING, mostly because of the wonderful actors in the game. When I found out he was developing a new game, I was immensely happy to see him back in action, but also curious to see what DEATH STRANDING was about. I’ve always been a big fan of Hideo Kojima and always admired his work. I’m Ari, a virtual photographer and writer from Italy. Hi everyone! Thanks for letting me participate in this. Can you tell us a bit more about yourself and what makes you a DEATH STRANDING fan? Hi Ari! Thank you for taking the time to chat with us for as part of our latest #DSPorterSpotlight spotlight! We absolutely love your DEATH STRANDING DIRECTOR’S CUT photo mode shots.
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